Soap

Indian Soap Tackles Taboos to Become One of World’s Most Watched

New Delhi: A television serial, whose themes include acid attacks, domestic violence and high rates of abortion of female foetuses, has quietly become one of the most-watched programmes on the planet, reported the Guardian. DD National announced in April that the audience for the Indian soap Main Kuch Bhi Kar Sakti Hoon  (I, a woman, can achieve anything) had, in two seasons, exceeded 400 million viewers “and counting”.

Partly funded by UK foreign aid, and designed by an NGO to promote sexual health and family planning, the enormous reach of the radio and TV series was unexpected, says Poonam Muttreja, the executive director of the Population Foundation of India who developed the programme.

Commenting on a hotline they established for viewer feedback three years ago, she said that their estimate was that they would get 250 calls a day. “First day, first show, we got 7,000 calls within one hour. Within two hours, our switchboard collapsed,” she was quoted as saying by the UK daily.

By the end of the first season more than 1.4 million Indians had called to comment on the drama unfolding around Sneha Mathur, the programme’s protagonist, who turns her back on a lucrative career as a doctor in Mumbai to practice in her home village of Pratappur.

In one of the typically unflinching storylines for which the programme has become known, Mathur returns to her village after her sister is forced into a late-term abortion of a female foetus, and dies during the procedure.

In another episode, another sister is attacked with acid by a local boy after she joins a mixed-sex football team.

The programme’s directors and writers spent a year visiting the Indian hinterland researching the social problems that persist in the country, especially in its villages. Muttreja says that an ignorance of sexual health is a key issue.

Indian women and their partners are often unaware of the benefits of using condoms, delaying their first conception, or spacing out pregnancies to allow their bodies to recover. Around 85% of the money allocated to family planning is spent on sterilising women, with much of the rest spent on abortions, which are often carried out unsafelyand cause nearly one in 10 maternal deaths.

Female foeticide also persists, and despite more than two decades of condemnation by the Indian government, the imbalance between men and women is projected to widen over the next 15 years.

Then Muttreja came across a South African TV programme, Soul City, whose similarly stark depiction of life in the country’s townships is credited with decreasing HIV prevalence among women. According to Muttreja, it showed that entertainment education, if done well, can very quickly change social norms, and then lead to behavioural change.

Research conducted in Bihar and Madhya Pradesh, has shown similar promise for the Indian soap Main Kuch Bhi Kar Sakti Hoon.

After watching the first season, nearly 40% of women polled agreed that marriage at a very young age risked the lives of both mothers and children – up from 25% before it was screened. Among men, just 2% thought early marriage was problem before watching the show, but that number rose to nearly one in three after.

Attitudes about domestic violence also shifted. After watching the programme, the number of women who agreed a wife deserved to be beaten if suspected of cheating on her husband had reduced by over 30%. Among men questioned, 22% fewer agreed.

But the producers are well aware of the lines they cannot cross. Muttreja says that you can’t talk about sexual intercourse.  Homosexuality would be a no-no and it would be controversial.

Indian soap operas have been a cultural juggernaut since the early 2000s, when cable television reached an increasing number of middle-class homes. The third season of Main Kuch Bhi Kar Sakti Hoon is currently in development.